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Here are the matching lines in their respective documents. Select one of the highlighted words in the matching lines below to jump to that point in the document.

• Title: Problem of Faust: Lecture I: The Problem of Faust
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  • this is the Greek Logos. That actually stands in the John
• Title: Problem of Faust: Lecture III: Goethe's Feeling for the Concrete.
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  • spiritual secrets of the early Greek days. He wanted to unite
• Title: Problem of Faust: Lecture IV: Faust and the "Mothers"
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  • course of years, we need reflect only upon how the Greek
  • Greek Mysteries was led. By this we are shown how full of
  • the Greeks looked for in their three mothers, Rhea, Demeter
  • in the Greek Mysteries under names Proserpina,Demeter, and
  • existence anywhere. The Greeks looked upon them as
  • the Moon and was spoken of as such by the Greeks. And the
  • Greeks still had knowledge of the relation between this
  • those being initiated into the Greek Mysteries, this force
  • together with the two other Mothers. The Greeks held all that
• Title: Problem of Faust: Lecture V: Faust and the Problem of Evil
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  • played an important part in the content of the old Greek
  • in the old Greek Mysteries, one learned to know something of
  • Trojan War broke out. The Greeks besieged and conquered Troy,
  • that the Greeks fought; they would not believe the Trojans
  • behold the esoteric form of the Greek legend.
• Title: Problem of Faust: Lecture VI: The Helena Saga and the Riddle of Freedom
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  • the Greek mythology, and you will often find such human
  • way; in the Greek Hero-legends we always see how there is
• Title: Problem of Faust: Lecture VII: Some Spiritual-Scientific Observations
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  • intellect would have quailed. Had you been born a Greek, or
  • nearer nature — such as the Greek age. It, was Goethe's
  • Greek thought, one receives a deep, significant and vivifying
  • and to acquire Greek culture. Had Goethe been asked to state
  • thought and felt, or had thought and felt, about the Greeks,
  • more rubbish! They talk of Greek life, but have no ideas with
  • other Greek, man or woman, as the Greeks really were”.
  • nearer Greece and had to live as a man among Greek men. Helen
  • — as a Greek and the most beautiful of Greek women, as
  • an outstanding Greek about whom so much strife and discord
  • water-air are those that in Greek mythology — or indeed
  • today, is that being whom Goethe, following the Greeks,
  • consciousness, but in Greek concepts. He finds them more
  • scene to Greece, thinking that with ideas taken from Greek
  • accomplish with Greek ideas than with those of the present
  • Here too he thought one would get nearer by using Greek
  • Homunculus meet two ancient Greek philosophers, of whom the
  • the Greek Lamiae. Then the scene rises into conscious life,
• Title: Problem of Faust: Lecture VIII: Spiritual Science Considered with the Classical Walpurgis-Night
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  • sought to live himself into the world of the Greeks,
  • to complete consciousness, was called by the Greeks Diana.
  • round the earth in four weeks. The Greeks knew a threefold
  • of the Greeks. He hoped in this way to reach the
  • supersensible world not from the outlook of Greek life, but
  • himself in everything possible to bring Greek life vividly
  • before his soul. Today we are no nearer to Greek life than
  • Greek life, to bring it vividly before his soul. But what
  • tidings of it. And his belief in the Greek world changed to a
  • soul he sought Greek life, the concept of truth, the concept
  • for present-day man to understand. In Greek thought it was
  • the Greeks, that beauty is so closely allied to truth, and
  • ugliness to evil. For the Greeks, beauty melted into truth,
  • Greek world Goethe acquired the feeling that anyone organised
  • like the Greeks, who stood in such close relation to the
  • evil; instead, he clothes this too, in Greek ideas, by
  • Greeks in the world-order, he would have been obliged to meet
  • history of evil. By employing Greek concepts, he places most
  • thought he could do this by steeping himself in Greek ideas,
• Title: Problem of Faust: Lecture X: Faust's Knowledge and Understanding of Himself
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  • forms. And, in the perception of the ancient Greeks, these
  • the Greek world in order to tell us that, whatever a man may
  • ourselves back into the conceptions of the old Greeks, to
  • gay feast. We must realise that, to the Greeks, there was a
  • to the open sea. The Greeks, like all ancient peoples, still
  • but for the Greek it meant entering a completely different
  • that he transposed into the Greek world, he transposes
  • with the Samothracian Mysteries, the conception of the Greeks
  • Kabiri divinities, permeated all the various ideas the Greeks
  • connection between these Gods and mankind. And the old Greek
  • bequeathed to the Greek consciousness by the Samothracian
  • impulses of the Greeks, that are associated with the Kabiri
  • with the true evolutionary forces of man. In the Greek
  • Greeks used to say of Philip of Macedonia how, by watching the
  • Mysteries of Samothrace, he found Olympia. And the Greeks had
  • touched upon for the awe to be felt which the Greeks actually
  • Greeks knew that, in an age relatively not very ancient,
  • still remained in historic memory among the Greeks. And in
  • the ideas about the Gods depend on this impulse of the Greeks
  • Greeks spoke of Demeter, of Ceres. The esoteric
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• Title: Problem of Faust: Lecture XI: The Vision of Reality in the Greek Myths
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  • The Vision of Reality in the Greek Myths
  • The Vision of Reality in the Greek Myths
  • myths developed by the Greek spirit, there is not merely
  • that the Greek felt when thinking of his Kabiri in
  • longer call upon clairvoyance, I cannot know what the Greeks
  • telescoped into a single moment of life. In the Greek
  • takes us that far. But in the Greek world-conception it was
  • waves, the Greeks perceived in this light-enchanted weaving
  • Outside in nature the Greek perceived in another form what is
  • delicately the Greeks might have felt, shows clearly how it
  • significant Imagination from the Greek world-conception, in
  • something there suggesting that the Greeks, in creating their
  • Faust is to enter Greek reality, he is to
  • Greek world. He is to wake there consciously, as Goethe
  • making him wake to life in Greek reality.