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Query was: character
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- Title: Problem of Death: Lecture I
Matching lines:
- These reasons are too often of a character which indicates
- becomes a Maya to us because of the peculiar character of
- feelings of which he is darkly aware but the true character
- of characteristics that are quite normal in life. When we
- one of the characters were narrating it himself; it is a
- “first person” story, as we say. This character
- Title: Problem of Death: Lecture II
Matching lines:
- forces change their character. Similarly, no force is lost
- specific, unique character from the connection with the
- intimate character then, things called forth by the
- everything at once. If we know of two characteristic
- taken place in life, and then let his characters die. But
- dramatic conflict for the main character of the play, for
- human characters simply fade out at death — as
- reflected in the souls of the characters and causes
- characteristic element in the being who is becoming free.
- are characteristic of the being of the individuality after
- Title: Problem of Death: Lecture III
Matching lines:
- character which is connected with the problem and which can
- speech which make it possible to characterise the
- must characterise something which lies on the other side of
- characterization of the process which is also necessary if
- if he is to hold the balance between his character and his
- he speaks of giants, of Hercules, is very characteristic.
- characteristic of Fritz Mitscher that when opportunity was
- express themselves so characteristically when a man is
- characteristic of him. And it was this that made him so
- death, words which characterise this objectivity of outlook
- which also characterise the relationship to the surrounding
- characteristic element in these words was precisely this
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